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Yeh Jo Mohabbat Hai Complete Music Review

    Reviews Home >> Music Reviews >> Yeh Jo Mohabbat Hai Music Review

Movie Name :  
Yeh Jo Mohabbat Hai
Movie Cast :  
Aditya Samanta, Nazia Hussain, Mohnish Bahl, Rati Agnihotri, Farida Jalal, Mukesh Tiwari, Anuradha Patel, Preet Kaur Madan
Movie Director :  
Shree Narayan Singh
Music Director :  
Anu Malik
Rating :  
3 / 5

Yeh Jo Mohabbat HaiYeh Jo Mohabbat Hai - The film's title reminds among the famous evergreen romantic tunes of Rajesh Khanna and goes to that genre. The movie does exactly the same too because it originates from exactly the same production house that gave romantic sagas like Aradhana and Kati Patang. Created by Shakti Samanta's boy and starring Aditya Samanta (his grand son) within the lead, the film instantly results in good anticipation, much more with Anu Malik because the music composer.

You will find seven original tracks and all sorts of are sang through the stalwarts within the music business. Pyaar Karna Na Tha marks the start of the romantic journey and it is quite apt song for any love story. Mohit Chauhan has embellished the song together with his smooth-n-smooth voice. Late Anand Bakshi has written the lyrics of the wonderful, soulfultrack where Shreya Ghoshal may be the selected someone to sing the feminine version. Tostate the apparent, she’s sung with all of her heart and it has managed to get a captivating experience for that listener. Both versions sets a dark tone for that movie and when picturised well, they is possibly the type of romantic tracks that find good attention from the listener. Actually the song also reminds certainly one of Ek Din Aap…Maine Socha Na Tha from Yes Boss that was composed by Jatin-Lalit. Nevertheless, Pyaar Karna… is one which may be put in repeat mode but still not become bored.

Suzanne D'mello starts Tere Bina Jee Na Lage together with her signature style even though she has the capacity to draw attention from the listener together with her soft and velvety voice; Mohit Chauhan does an excellent job in taking it forward. Their vocals, that are similar in fashion, compliment one another and make up a heady mix for that listener. Kausar Munir's lyrics are relaxing and appropriate for that song.

Roop Kumar Rathod makes its way into the album with Naina Thak Thak Haare. It is a traditional judai song that is a requirement inside a traditional love story. It will its job pertinently and conveys the emotion easily. Anu Malik has selected the performers well while bearing in mind that the number such as this necessitates the voice of someonelike Roop Kumar since you need to the touch a listener's heart. It is a welcome varies from the techno and stylish-hop seems nowadays. Faiz Anwar Quraishi has written the lyrics and well taken the essence from the situation.

Kyon Kyon is really a enjoyable song which has the a sense of fun and sensuousness of youthful enthusiasts. Shreya Ghoshal and Shaan synergy for that one and can play the overall game of 1 upmanship between enthusiasts, something the core from the track. Although the song is nice differs from routine, it lacks a punch andleaves the listener longing for more.

Large Body fat Indian Wedding is decent but does not do its job to become a blockbuster. Yes, it is a feet tapping number sang by Neeraj Shreedhar and Anmol Malik (while being compiled by Anu Malik themself) but does not quite completely and eventually ends up being barely average.

Last although not minimal is Angel my Angel that is sang by Anu Malik's lucky mascot Alisha Chinai together with Sonu Nigam. It is a Hinglish soft romantic number which conveys the feelings of the youthful couple for each other. However, despite the fact that it hasbest from the performers, it doesn't possess the miracle to get listener's attention. In the best case, it seems to become a combination of two-three romantic tracks and eventually does not rise towards the occasion.

Yeh Jo Mohabbat Hai is really a romantic film meaning the tracks are certain to be romantic. For the reason that aspect, you will find plenty available here despite the fact that they do not turn to function as the kind that evergreen tracks are constructed with. Album reminds among the type of music that Anu Malik had composed in the Filhaal and Yaadein days though a general miracle is missing. Still, you might better decide on a wait watching approach since romantic amounts generally grow in repeated hearing and one just hopes the same happens with this album too.

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